I would’ve however liked to know what happened to the present day Kishore, as I was emotionally invested (most) in him. The line “I just want to be with you Kishore” found a superb payoff when she just ruffled his hair and atleast this way, she doesn’t have to compete with the memories he has of Radhika. I had no confusion as far as Kalki/Radhika were concerned and really liked the way the final shot mimic’d an earlier photo frame of the wedding.
I wish the same energy was carried forth throughout but looking back, I can see why that wasn’t the case.Īnd is that a Feynman hat tip in there? 😀 (I guess) Is the Mani Ratnam vibe when Kishore pours the coffee back intentional? Sollunga saar, sollunga. It might remind one of the Narumugaye section between Anandhan/his wife but that also comes from knowing you. Their personalities, contrasts, chemistry, the clutter everything really came together there. My favorite bits were all in that morning scene between Kishore/Radhika as she twirled in a loosely draped saree, script in hand. Lots of interesting background props in every setting, except the on-the-nose “Comeback stories” book. Just saw it so I’m still processing a lot of the production design work here, which for me worked most consistently through the piece.
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